It was fun times.

Fourth Floor is sounding particularly amazing since its been graced with fantastic musicians adding their stamp to it. I mean, just look at this:

Me – Piano and Lead Voice
Aric Bieganek – Drums, Glockenspiel, Background Voice
Rebekah Dutkiewicz – Cello, Background Voice
Matthew Carefully – Banjo, Mandolin, Background Voice
Dave Chalfant – Bass

I’ll be posting a track from my upcoming record sometime soon… maybe this one. Also I may have a name for this thing. More about that later.

Along with the piano and voice parts, I recorded some background melodica and some kazoo parts reverb-ified.

Listen to “Happens In Stages”

[See post to listen to audio]

Happens in stages
Dog-eared pages
Two roads at your feet

Heaven and Earth
Or what it’s worth
You could take chances or time

Also recorded on Monday was a song called Little Black Boxes, inspired by The American Widow Project.

Listen to “Little Black Boxes”

[See post to listen to audio]

Little black boxes
Stacks of letters I sent
White car in the driveway
Two men and a flag
Within “The Days Ahead”

And I try to smell him
But they washed all his clothes
And sealed them in plastic
In little black boxes
Within “The Days Ahead”

* “The Days Ahead” is the name of the 3 ring binder the U.S. Military gives to widows. The American Widow Project is on Twitter @americanwp

It was some of the weirdest weather we’ve experienced in awhile around here. By most accounts, it felt like a late summer storm, except we’re in the heart of winter. Driving up to Conway in the dense fog was a little challenging, since Sackamusic is in the middle of the woods on narrow country roads.

I’m looking forward to heading back up to the studio again really soon. Working with Dave Chalfant has been a great experience.

Oh! – We were doing some brainstorming, and I think I may wind up using some components of “Salt”, the ‘prepared piano’ song I recently recorded last week. Really excited.

I used a carpenter’s hammer against one of the bass strings, then plucked the upper melody with my fingers. The sustain pedal has to be held down, of course. Then I put some water in a wine glass and clanked it with a paint stirrer… and then of course there were tambourines and egg shakers… and then the singing of four part harmonies.

Listen to “Salt”

[See post to listen to audio]

When all the walls that you had built
Could not protect you from the guilt
The secrets hid behind the eyes
Were darker than your safest lies

And when they come, they pull you down
They crush the peace you thought you’d found

But we’re deciding who’s at fault
We stand the breeze and taste the salt
We’re deciding who’s at fault
We stand the breeze and taste the salt

Me, Ethan, and our friend Bill Belina started our first band back in 1989 when we were in middle school. All we had at the time were two keyboards and drums. I aspired to be the next ‘guy from Tears For Fears’ or maybe Phil Collins with a mullet. We played music in Bill’s dad’s basement, which was lined with polka records and wood paneling. We wrote tons of songs and learned how to be a band. Gradually Bill and Ethan learned other instruments and I learned how to play keys. A couple decades have gone by, and we’ve all played in various bands, grew up, etc.

Now Ethan lives in Los Angeles, has a record label, and makes awesome music asState Shirt. He manages to come home a few times a year to visit with family and friends, and we seem to get together and collaborate on music things all these years later. It’s nice to have him be a part of this record.

I recorded new lead vocal tracks for Mirror and Fourth Floor, and Dave added some bass to Mirror. I tried a vocal track for The Gatekeeper also, but it wasn’t quite what I was hoping for. I’m trying hard to capture the magic of the original live demo I made in my dining room. Maybe I should just use that version on the record. We’ll see.

I didn’t bring a camera with me, but here are some pictures I took with my cell:

Then, at the end of August, my appendix ruptured while we were visiting with Kristen’s family in Pennsylvania. I needed emergency surgery and wound up spending a week at Hershey Medical Center. When I got home, I had some complications with my incision that weren’t so great. Needless to say it required me taking it easy, because abdomen surgery kinda hurts I discovered. I was out of work for about 5-6 weeks… So here we are the first week in November and I’m able to finally get back to the music, which is what I love to do.

I headed up to Conway Rock City in the afternoon, and Dave Chalfant and I snaked wires out a window, through the garage, and into the main house where his beautiful Baldwin upright piano lives. I recorded a few songs: The Spires, The Gatekeeper, and Whatever Happened. Later, Greg Saulmon and Mark Schwaber came up to record some guitar and drum parts for The Spires. That song in particular is sounding amazing.

I took some pictures with my cell phone of the setup madness. I also had an old Canon film camera with me and snapped some photes, but I haven’t gotten those pictures developed yet.

I recorded a scratch piano track and some vocals. Then for Flowers On The Fire Escape, Greg added some pretty eerie guitars and Mark added some harmony melody guitar too. For Fight or Flight, they both worked out various guitar parts, culminating with a wall-of-sound noisy guitar finish that blew me away. Greg wound up using a bottle of Arrogant Bastard Ale for part of the scratchy slide guitar stuff. Mark also played bass on both tunes.

I’m taking a little break for the next couple weeks while I celebrate my wedding anniversary, head to Cape Cod for a week’s vacation, and sit with these songs for awhile to come up with vocal arrangements.

With how grand and crazy the end of Pulverized is sounding, we joked that it was the Layla of the album, but with its darker chord structure, maybe it’s more like the Let It Grow of the album.